Track
Doomsday, Doomsnight
Lyrics must written for 3 minutes Rapid clang association rap verse at middle Street smart aggressive . It's crucial to say what I meant don't change…
Open in AminA Player · باز کردن در آمیناAbout this track
Lyrics must written for 3 minutes Rapid clang association rap verse at middle Street smart aggressive . It's crucial to say what I meant don't change concept that if dooms day is bad , it's worst for USA, yet in Iran we don't mind it as much as you think (USA) About : I think I should say Should I say O ehum, I must tell Keep telling, show o o o showoff their ammo, Air and ground Telling lies all OK passing hurmoz telling crsp shit the map look at us this is the dooms day aircraft! Oh wow Really it's too bad They say Hahaha Dooms day hah! Let tell them what is important OK Hey ey oy hoy impotent listen carefully Here is Iran you try bring dooms day aircraft here Ain't no dooms day or a one actually dooms day comes while world cry We don't say we like the doomsday crap but better know We are infront of you I this fucking world map and whenever dooms day come here, o oh guess what actually that time will be night at US FUCKING AMERICA SO BRING THE DOOMS DAY HERE YOU WILL BRING THE DOOMS NIGHT FOR USA OH WOW NIGHTS AND THE KNIGHTS AND IMPOTENT WILL LOOSE THEIR CROWN DOOMS DAY DOOMS NIGHT WHERE IS OUR LIGHT ..... When the clock shows day here USA is night at that time And remember dooms night obviously is more terrifying than doomsday! See poor USA even in your threats you can't beat us motherfuckers!!!
Lyrics · متن ترانه
English lyrics
I think I should say it—should I say? Mm, I must tell. Hear me out. Keep on telling, show the hardware, air and ground, Show the polished planes while the cameras circle round. Passing claims across the strait, drawing lines upon a map, Call it truth, call it warning—still the facts don’t match. “Look at us, the doomsday aircraft!”—big display, They say, “Oh wow,” like the sky belongs to them today. Really, it’s too bad, all that theater, all that pose— When the world is on the brink, every boast is just a show. They say—ha-ha—doomsday, hah! Let me tell you what matters. Listen close. Doomsday here, doomsnight there, Read the clock; compare the air. We don’t cheer for the end of days, But don’t mistake our steady gaze. Doomsday here, doomsnight there, Threats don’t make you king of anywhere. If you bring that fear this way, Night falls on the U.S.A. Map fold, time zone, tick-tock, daylight, midnight, West says “show,” east says “hold,” same clock, split sight. Airframe, ground game, headlines, hot takes, Big talk, hard claims, old script, new stakes. You point to the map like the map takes orders, Draw a line in ink, then you rattle the borders. You say “look up”—we say “look at the hour,” Your day turns night while you’re flexing your power. Not proud of the peril, not praying for pain, Just clear on the math when the sun shifts lanes. If the world cries out and the whole sky turns black, Don’t call us surprised when the dark answers back. Doomsday, doomsnight, crown tilts, lights dim, You threaten the edge, but the clock cuts in. Hey—listen carefully, don’t twist what I say: We don’t want doomsday. We won’t kneel to your play. Doomsday here, doomsnight there, Read the clock; compare the air. We don’t cheer for the end of days, But don’t mistake our steady gaze. Doomsday here, doomsnight there, Threats don’t make you king of anywhere. If you bring that fear this way, Night falls on the U.S.A. Here is Iran—your threat won’t make us disappear. We know the world is shared; we know the stakes are real. We don’t say we like this. We say, remember well: When your daytime meets our night, your own clocks tell. Doomsday here, doomsnight there, Read the clock; compare the air. No one wins when the whole world pays, But your threats won’t rewrite the days. Doomsday here, doomsnight there, The crown can slip; the lights can fail. You can’t out-threaten time or fate— So hear the hour before it’s late. Doomsday, doomsnight—where is our light? The clock keeps turning. The world shares night.
Search topics
Doomsday, Doomsnight · AminA Records · تکنو · Techno · هیپهاپ · Hip-Hop · Cinematic · تاریک · Dark · Intense · Orchestral Stabs · distorted ad-libs · Dark techno rap at 118 BPM in D minor · crowd callouts · club-wide low end. · streetwise aggressive delivery with tight male rap phrasing · layered minimal percussion and punchy kick with sidechained sub-bass. Sparse verses with m · densely rhymed association bars over clipped percussion. Build with ominous pads and gated · then land on a forceful chant hook with boom-clap hits · and delay throws. Crisp punchy mix · layered minimal percussion and punchy kick with sidechained sub-bass. Sparse verses with metallic ticks and filtered vocal doubles; middle verse shifts into rapid-fire · densely rhymed association bars over clipped percussion. Build with ominous pads and gated toms · AminA Player · music
Related music
- بجنگ تا بجنگیم (Remastered)
- ECG Boost
- Surgical Focus — instrumental layering
- Surgical Focus
- صبح بخیر بچهها
- This is crucial, this is life in the balance
- Good Morning, Crew (Remastered)
- Tell ’em I know, yeah, that’s true, it’s important
- Good Morning, Crew
- One calm breath, then we’re raising the bar
- Let’s go to Anesthesiology Ward
- Go to General, clock’s moving, don’t stop